Her only crime was perhaps hurrying into the role before she was ready. ROHAN: You're on a cast with Paul Rudd, David Dastmalchian,William Jackson Harper, and so manyfunny people. She isn't even really at the center of it; that position is occupied by her son, Kevin, who is an instinctive sadist with a gift for knowing exactly how to wound her, reject her, deceive her and make her soul bleed. Who's there when Kevin gets sick? Plus, she also touches on a potentially big deleted scene that would've seen her cross paths with Krylar (Bill Murray) and teases possible beef with Janet van Dyne (Michelle Pfeiffer). She asks Kevin why he didn't kill her. BBC Films He hates Eva for a plethora of reasons her neglect, her coldness towards Kevin, and Franklins misguided overcompensation for the lack of Evas love. But it's also pretty surface level. There seems to be almost no form of abuse she is not willing to take as belonging to her for what has happened. When Eva gets pregnant for the second time, Kevin feels that he has become estranged from the family and grows jealous. Then she goes home. Kevin is seen to be wearing short clothes most of the time, like when Eva takes him out for mini-golfing. KatyO'Brian (Agents of S.H.I.E.L.D. This is the scene where the film begins and the ending comes full circle revisiting the moment of rupture in Evas life. Her body can't absorb more punishment. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. But he hates her the most due to her pretense and dishonesty, it seems. Kevin's killings, meanwhile, are the absent, invisible center of Ramsay's film. The wife and mother, Eva (Tilda Swinton), has been so overwhelmed by despair that her life exists in her mind all at the same time. Kevin chooses to conceal the incident from Franklin. Because Kevin is infallible to Franklin, he's also incapable of needing help, and as a result Franklin seems to have no respect to any sort of danger to his son, even giving a disturbed young man a lethal weapon just for fun on his fifteenth birthday - something that could even be considered an act in direct defiance of the reality of his son's deteriorating mental state, or even a dare. Powered by WordPress.com VIP. We Need to Talk About Kevin: Directed by Lynne Ramsay. Finally. 112 minutes In We Need to Talk about Kevin, Eva is literally on trial for parental negligence. That's the underlying message of We Need to Talk about Kevin, Lynne Ramsey's remarkable allegory on the transcendent nature of relationships. So to sum up, Eva systematically deprived Kevin of maternal love, then trained him to accept disgust and fear in its place. I'd be happy to see what they come up with, but, they have more of the understanding of the wildness of the world that they're building. Eva finally asks why he did it. Putting herself through a painful process of introspection, she revisits moments from well before Kevin's birth to the eventual tragedy. this is the best pro-antinatalism PSA out there . But Kevin is just getting started, and his final act will be beyond anything anyone imagined. This model of motherhood so deeply rooted as it is in the biological doesnt leave much room for aberration, such that any rejection by the child becomes an indictment of the mothers entire existence. The second is Kevin's bedroom. In Morvern Callar, Samantha Morton grieved her boyfriend's suicide. For more information, please see our The woman sits up in alarm and shakes the MAN. However, just the neglect of his mother would not amount to the cathartic finale. We Need to Talk About Kevin by Lionel Shriver plays with the deepest fears of the majority of people. ANT-MAN AND THE WASP: QUANTUMANIA Star Katy O'Brian On Deleted Bill Murray Scene, Backstory & More (Exclusive). Reilly is typically wonderful in a thankless role, while both juvenile actors evince a low-grade rage that never moves into complete disconnection or full-blown psychosis. Hes a friendly and vibrant young priest and a gifted preacher. Mimicking the cyclical nature of trauma, the shot repeats in the climax, where Eva discovers the slain bodies of her husband and daughter. The film ends with the emotionally blank mother visiting her son on the second anniversary of his crimes, just before he's transferred to an adult prison. Did they create a monster, or was he born that way? We cling to guidelines like the length of Tilda Swinton 's hair to figure out where we are. With his shaggy hair buzzed off and scars covering his pale face, Kevin avoids her eyes and replies, "I used to think I knew. As Kevin develops, he refuses to be potty-trained, mocks Eva and rejects her attempts at physical affection. Site Map | Kevin does not play ball, and he becomes increasingly manipulative. Kevin's insidious nature is best exemplified in a scene staged in the aftermath of Celia losing her eye. Ultimately what it winds up giving us is perhaps the most important truth of Christianity, namely that God is the hope to be found in the midst of the smoke and ashes. This is also true of Eva, but we see the conflict in her about her son's mental state. But Eva is incapable of showing him the love that he deserves, even after trying her best. In We Need to Talk about Kevin, Eva is literally on trial for parental negligence. Likewise, don't respond to trollish comments; just report them and ignore them. Eva and Franklin never seek psychiatric help for their son; they can't talk about Kevin without fighting. ROHAN: Considering that you had done Black Lightningand Agents of S.H.I.E.L.D.,and already gotten a small taste of superhero projects before stepping into this massive MCU project. So, his dressing sense is perhaps not an indictment of his bitterness. A prolific writer and the ostensible head of a travel agency, Eva cares more about her own unfulfilled wishes than her ever-menacing son. An unshakeable experience and a daring experiment in film form, Lynne Ramsay's We Need to Talk About Kevin challenged conventional wisdom on what makes for a good adaptation. Some interpreted scene at the gym as her being repulsed by pregnant bodies, but I am thinking she was like "why can't I be happy and bubbly with this child like they are?" What feels like a simple story feels so much larger due to the development of every character and the world around them, it almost feels like you know these characters personally and feel for them when something happens, that is a what great movie does. I think Jentorra felt a little betrayed by her, and there was no real reconciliation with them at the end. Fun Fact: Ezra Miller is not a great person, Did not expect Steve Brule to be Kevin's father, can't help thinking how twisted but how well so much of this film would work with a laugh track [2]. The moments of Grace are, as they should be, not in moments like the dinner scene but in the unexpected. As he grows up, we see him in a blue t-shirt, and consecutively, in a bland white one. Trademark | Franklin, on the other hand, does not give him a path to honest interactions. All the community rules apply here. This in turn completely undermines the husband/wife dynamic. He is loving and affectionate with his father, Franklin (John C. Reilly), and has a way of making it clear that it's a deliberate charade designed only to hurt Eva. Kevin predominantly shows signs of antisocial personality disorder, and when it is left unnoticed by his parents, Kevins condition takes a wrong turn. It doesn't gel with what has come before, where Eva seems to accept her son's innate cruelty, and is looking for a way to escape. An excellent movie with great characters, amazing development, and astounding use of cuts, foreshadowing, and visual storytelling. American release: January 27, 2012. Based on Lionel Shriver's 2003 bestseller of the same name, Lynne Ramsay's 2011 film explores a broken family, mental illness, and the aftermath of a tragedy. The desolate inner worlds of Ramsay's protagonists come alive through a sensory perspective. It suffers from an excess of clunky foreshadowing and there's very little I find believable about the characters' actions. But it also doesn't set out to wag a moral finger or make any grand, sweeping statements. Any spoilers should be placed in spoiler tags as such. Following the release of Ant-Man and the Wasp: Quantumania, we caught up with actress Katy O'Brian to talk about her MCU debut as Jentorra, deleted scenes with Bill Murray, and a whole lot more! Some animals sometimes know that something is not right with fetus and can even abort it voluntary or when it is born, they abandon it. I bring what is actually happening and the severity of what's actually happening to level out, I guess, this part of the movie, because on the other side, you got Kang and Janet are being very, very serious too on that side of things. It'd be so much fun. Eva repeatedly tries and fails to create a bond with her son according to traditional societal expectations. However, she created a pattern whereby she only expresses herself to Kevin through disgust and fear. Between the ages of 6 and 8 years old, played by Jasper Newell, he is a clever little monster who glares at Eva hurtfully, soils his pants deliberately and drives her into such a fury that she breaks his arm. The impressionistic nature of the film does not blurt out the whole truth, and the audience has to make their own journey to construct the meaning. His attitude towards his son is warmer, but underneath there's no more depth than there is with Eva. When his father is around, Kevin behaves like a charming and enthusiastic kid. There have been a lot of discussions nature vs. nurture, but I've been thinking she was not ok during pregnancy, usually postpartum depression starts after birth. Kevin relentlessly cries in the custody of Eva, but Franklin seems to know how to stop him. Ramsay regularly cuts to a scene where Eva is driving her car past flashing police lights toward the scene of some tragedy. The bed, the gown, and the walls bleed into each other in their cold whiteness, externalising her inner state of mind. February 24, 2023 at 12:05 PM ET. See production, box office & company info. Eva Khatchadourian, a former travelogue writer, lives in a rundown shack in an American suburb and goes to meet her son. A suspenseful and gripping psychological thriller, WE NEED TO TALK ABOUT KEVIN explores the relationship between a mother and her evil son. Is Kevin a sociopath or a psychopath, then? In this one, it is Kevin's triumph. How difficult was it to play the straight woman when everyone around you gets to be fairly silly in the early scenes? The most cynical, nihilistic, misanthropic films ever made. Years later, the birth of her daughter Celia, on the other hand, feels more festive. See movies like "The innocents" (1961, Jack Clayton) (pay attention to the title) and "The omen" (1976, Richard Donner). There are two really great examples of this: the first is the bow. Together, with Hopes parents Janet van Dyne (Michelle Pfeiffer) and Hank Pym (Michael Douglas), and Scotts daughter Cassie Lang (Kathryn Newton), the family finds themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought possible. You've got Braveheart, which it kind of has a similar feeling to. The sound of him savouring the juicy fruit a fruit he doesn't even like in deliberate crunches of sinister delight becomes unsettling when paired with the thought of Celia's lost eye. In an ordinary movie, there would be scenes in classrooms, meetings with counselors, heart-to-heart discussions between the parents. The real horror in the movie is society's dogmatic conception of motherhood, and the pressure to live up to it. Little matters like washing blood red paint off the windows of her diminished home that angry residents have vandalized, become rituals of self-abnegation and penance. Secretary of Transportation Pete Buttigieg's response to Donald Trump's refusal to accept any responsibility for the impact his massive deregulations have had went viral on Thursday as video of him encouraging the ex-president to support the Biden administration's efforts went viral. Only the daughter, Celia (Ashley Gerasimovich), seems halfway normal. KATY: We had this whole scene where we're all cheering at the end kind of thing. He is her., Her identity forever defined by the horrors inflicted by her son, Evas punishment is her loneliness. Prosecutors downgrade charges in Alec Baldwin shooting case, Die Hard star Bruce Willis has frontotemporal dementia, condition worsens, As We Need to Talk about Kevin turns 10, a look at what made it such a haunting meditation on motherhood. We see Kevin as a troubled kid who may need greater care. There are two really great examples of this: the first is the bow. To express concern over a child's habitual malice is coded as monstrous. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. We cling to guidelines like the length of Tilda Swinton's hair to figure out where we are. Did you work with her individually on creating some of that dynamic since Jentorra is someone that's been in this fight a long time versus Cassie who is just beginning her fight against Kang? Kevin is far too malevolent, which might work in a Rosemary's Baby horror context, but not here (admittedly it does verge on horror at times but ultimately we are asked to empathise with Eva's travails as a mother). Swinton told me of a line in the script that wasn't used, wisely, I believe. Use the boards for extended discussion. You couldnt have possibly thought that seeing someone eat lychee would be so distressing, but Ezra Miller makes it happen. Jake Martin, visit our special Oscars season blog, Movie Minister.. None of this is done in a straightforward fashion. Left to pick up the pieces is his mother, Eva (Tilda Swinton). Kevin, it seems, is a volatile Holden Caulfield for the generation. While Eva and Franklin argue over the accident, Kevin taunts his mother by peeling a litchi, with a smug look on his face. From ths beginning of the movie they lay out the whole story, but it isn't until you watch the full thing that you piece everything together and get this larger than life story. For instance, post-partum depression similar to hers is very common and probably didn't do as much damage as she ascribes to it. Jokes are fine, but don't post tactless/inappropriate ones. Privacy Policy. Kevins clothes are also an avenue to memories for Eva, and in the end, Eva irons and stacks up Kevins clothes in a drawer in the hope that her son will return from prison. If you look one level deeper it's clear that Kevin was deeply and horribly emotionally abused by both of his parents, and in a genuinely loving family he would not have turned out the way he did. Selena Gomez recently opened up on how the autoimmune condition is affecting her weight due to water retention from all the medication in her recent Tik-Tok live stream. Kevin gets taught about sex from his mother but he already knows what it is and calls it "fucking". to revoke its approval of the two main drugs used for medication abortion in the United States. Swinton is excellent as Eva, the reluctant mother tormented by her psychopathic son, and director Lynne Ramsay handles the disjointed time structure well, but that's about all I can commend about it. The real monster is expecting nothing less than unconditional love. Rated R Now I'm not so sure." Eva has spent the events of the film in deep introspection, coming to terms with the fact that she was an abusive mother, and at least some of what happened grew out of that. Franklin himself lives in a state of demented decency, deceiving himself that his family are living acceptable lives. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. What kind of a kitchen has empty counters? Would any interference have prevented him from becoming a killer? Eva takes incessant trips down memory lane to cope with her past loss. David Badash. An important film that attempts to delve into the psychology behind the high school massacres we seem to read about in the news on a weekly basis. His son is who Franklin says he is, and anything else is just invisible. It was a really short moment, and then yeah, I would have loved to have had some interaction with Janet, but that wasn't even in there. Nothing makes sense. Eva is entirely bound by the expectations of a culture that fetishizes the mommy and insists upon a particular quality and dynamic in order for relationships to be healthy and normative. Art and Divine Beauty: An Antidote to the Winter Blues, The Prodigal Son: How to Overcome the 3 Lies We Tell Ourselves. The two embrace, and then she walks away. Privacy | The film moves without any pattern between past, present and who knows when. Don't post randomness/off-topic comments. Kevin overhears his parents talking about a divorce, which adds to his anger towards the world. Speaking with O'Brian following the film's release, she shared her experience on working on the biggest project of her career and how she and director Peyton Reed crafted an elaborate backstory for the leader of the rebellion. Kevin grows a liking for the fictional character of Robin Hood, and his father gifts him a bow and arrow. Eva goes into postpartum depression, and her menacing and antisocial kid Kevin only aggravates her ailment. He was exactly right. The film shifts almost all of its attention to the mother of the disturbed Kevin, Eva (Swinton). ROHAN: Since Jentorra and most of her freedom fighters make it out alive, have you heard anything about coming back for more Quantum Realm adventures down the line? In any other movie, that would be child abuse. So, I think it'd be really cool to explore that either in future Quantum Realm stuff or if somehow I got sucked out into the surface world or something, any of that would be fun. The real horror in We Need to Talk About Kevin is society's dogmatic conception of motherhood,and the pressure to live up to it. The red paint of vandals stains her car and the front of her house. She is less interested in the nature vs nurture debate, more in the crippling weight of societal expectations of motherhood. Outward appearances of mother and son match their steely interiority as neither suffers fools gladly and both abhor artifice and sentimentality. This turns out to be some sort of annual Italian tomato festival, but the image is disturbing. With Franklin there is no conflict. Although the act is enhanced through visual obscurity and concealment, we get the idea that Kevin kills a few of his classmates in the locked auditorium. Lionel Shriver's source novel is a quirky, disturbing take on the high school killer story. The ending of the film leaves Eva's fate up in the air. There are several red flags in the movie that indicates Kevins volatile dispositions, but an accurate diagnosis is not possible. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. For mothers always seem to be on trial. Starring Tilda Swinton, John C. Reilly Rather, Ramsay's film is an extended treatment of the optics of grief and guilt. Kevin, it seems, has a method to his madness. ET. Motherhood was therefore intended as a punishment.. Maternal ambivalence turns into filial antagonism, colouring her perception of him as inherently evil. The mistake would be to take the film apart and try to reconnect the pieces in chronological order. Kevin is a story of hope for a new millennium, an It's a Wonderful Life in the age of school shootings and planes crashing into buildings -- a world-weary world that has been bombarded by nihilistic themes in their narratives for the better part of a century. KATY: I kind of saw Jentorra as someone who was already part of a warrior society, so maybe she was used to fighting already, but in kind of a way different level. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, 'We Need to Talk About Kevin' is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewer's mind. Kevin grows up, and the family moves to an affluent neighborhood in their very own castle. Thats the underlying message of We Need to Talk about Kevin, Lynne Ramseys remarkable allegory on the transcendent nature of relationships. She has a career as a writer put on hold, while her husband Franklin (O'Reilly, at his most oblivious) carries on. The source material for "We Need to Talk About Kevin" was purposely crafted to leave readers wondering who was responsible for the massacre. 2023 Cinemaholic Inc. All rights reserved. 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' actions minutes in we Need to Talk about Kevin explores the relationship a! Externalising her inner state of mind Eva, but Franklin seems to be short.

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